#BulbFest15 annuncio line up:
Luigi Marino & Sabine Vogel
OFFICIAL EVENT: https://goo.gl/YUU2eg
Stay tuned, more news to come!
The
music proposed by the duo Vogel-Marino focuses on sound and all its
shades. Each sound is a microcosmos and the basics of the extemporary
dialogue between the two musicians are to be found in the subtlest
elements inside this articulate acoustic world. Metal resonances ano
take a predominant role, gradually showing all their potential and
unexpected directions.
Sabine
Vogel: flutes.
Luigi
Marino: Wuhan cymbals and zarb.
SABINE
VOGEL
Sabine
Vogel focuses on sound and improvisation, using extended techniques
both acoustic as well as electronic, creating a very personal
contemporary language for the flute. Discovering
and producing the unheard, the intimate, in relation to sound
production within the flute, is her main focus of exploration.
Projects
and concerts lead her around whole Europe, America and Australia. Recently
she became more and more interested in site specific work, creating
compositons and sound installations combined with live playing in
natural environment. Her
current projects are: ORNIS; an audio-visual Duo with british artist
Kathy Hinde, KOPFÜBERWELLE, a Duo for flute and church organ with
australian pianist/organist Chris Abrahams, LANDSCAPE QUARTET, an
enviromental, soundart project with Bennett Hogg, Matt Sansom and
Stefan Österjö. She is a member of the SPLITTER ORCHESTER, a 24
piece improvising orchester, based in Berlin.
Sabine
Vogel has played and worked a.o. with Anthony Braxton, Arto Lindsay,
Tony Buck, Jim Denley, Chris Abrahams, Alex Nowitz, Andrea Neumann,
the Walter Thompson Soundpainting Orchestra.
She
has a teaching position for flute at the University Potsdam.
LUIGI
MARINO
Luigi
Marino is a musician native to Rome. He holds a BA in Arts and
Philosophy from University of Rome Tor Vergata, and an MFA in
Electronic Music from Mills College, where he studied under the guide
of John Bischoff and Roscoe Mitchell. He studied zarb with Mohssen
Kasirossafar. His
recent work has focused on interactive systems able to create
interactions between an extemporary performer-driven source and a
computer, with particular attention to how intuitive decisions can
affect a predetermined structure in a formal way.
His
music has been presented at festivals such as the ICMC, Seoul
International Electronic Music Festival (South Korea), Acousmatic for
the People (Sweden), Signal Flow (USA).
As
percussionist, he is specialized in bowed metals and hand drums, with
a predilection for the zarb. Improvisation has always an essential
role in his performances.
He
toured extensively throughout Europe and the USA.
